Let us think through our grandmothers 

Let us do it with and from our bodies, labors, and sensitivities of the domestic

Practicing daily life as sustenance

Household work is often invisible and unconsciously delegated

Care work sustains life and not the other way around

Food is a place of thought and action

Let us reflect on the characters or machines dedicated to service

What is our experience and our prejudices as artists regarding service?

Let us dismantle the domestication and disciplinization of women, the sexual division of labor, and the devaluation of domestic work

Let us be visible, learning from each other to become visible and recognized

How do we overcome the obstacles for Women of Color to access continuing education?

Let’s open ourselves to dialogue, empathizing with the position of others, making this a safe space, a comfortable place to share the ways of seeing the everyday in our lives

Let us identify the social particularities, and territorial specificities of artistic creation and care work to build a diverse collective voice

Many ideas remain half-baked for different reasons

Let us share whatever is beneficial

Let's listen, observe, and participate; let's create, come to know, and imagine

Let's do something ludic to distract us from this endless work

Let us dare to start and finish our projects and creative processes

Let's explore and expose

Let us expand our ways of thinking and produce more conscious ones

Let's revalue our knowledge

Let’s be genuine in what we are and what we do

 Let us commit ourselves to what is to come.





Let us think through our grandmothers
, Un Trapazo, 2023.
Un Trapazo es curada por Mauricio Patrón Rivera, Maru López García y Nabil Yanai. 
Es parte de The Wrong Biennale y se realiza gracias al apoyo del Museum and Exhibition Studies Program de la Universidad de Illinois en Chicago.
Un Trapazo is curated by Mauricio Patrón Rivera, Maru López García y Nabil Yanai. 
 It is part of The Wrong Biennale and its done thanks to the support of the Museum and Exhibition Studies Program at University of Illinois Chicago.